I see Blade Runner references in the glow at the top of the image, along with the tones between green and blue, which is probably due to the movie being shot on film.
The blue light from the TV's screens also leads me to many "external" scenes in the movie.
The rain is unnecessary here; the loneliness comes from the empty spaces fading into the dark, partially illuminated by artificial lights.
The two men's images, framed by the door, added another layer of claustrophobia to the composition. It leads me to Hitchcock's Rear Window, where each window and frame reveals a little about the characters inside.
And yes, the green, the composition, and the perspective quickly led me to Hopper's reference.
This is the magic of art: you do something, and people around you absorb it based on their own culture. Artists give us something to think about, and the spectators become part of the creative process.
The artist releases a spark, and the audience transforms it into a fire that illuminates the human spirit.
I agree with Rafa; it is an unintentional update of Hopper's painting, showing new ways to become alone in the middle of a crowd.
I see Blade Runner references in the glow at the top of the image, along with the tones between green and blue, which is probably due to the movie being shot on film.
The blue light from the TV's screens also leads me to many "external" scenes in the movie.
The rain is unnecessary here; the loneliness comes from the empty spaces fading into the dark, partially illuminated by artificial lights.
The two men's images, framed by the door, added another layer of claustrophobia to the composition. It leads me to Hitchcock's Rear Window, where each window and frame reveals a little about the characters inside.
And yes, the green, the composition, and the perspective quickly led me to Hopper's reference.
This is the magic of art: you do something, and people around you absorb it based on their own culture. Artists give us something to think about, and the spectators become part of the creative process.
The artist releases a spark, and the audience transforms it into a fire that illuminates the human spirit.
I agree with Rafa; it is an unintentional update of Hopper's painting, showing new ways to become alone in the middle of a crowd.
Modernity hasn't changed the human condition.
What a nice comment, my friend. Thank you! It indeed make lots of sense!